THE MIDWEST BEAT At the Gates LP

THE MIDWEST BEAT
At the Gates LP
Dusty Medical 2010

Recorded inside the third oldest Synagogue still standing in America, The Midwest Beat’s At The Gates achieves a near perfect wall of sound due to recording on an old 8 track reel-to-reel in a space with natural reverb resulting in snare drums that sound like shotgun blasts. With sometimes 6 people gathered around just a few microphones as the band brought in a host of backup vocalists, this album is heavy on the harmonies but that doesn’t detract from its cool clear Big Star sound. There’s lots of genre bending on this album, from the countrified “Hard to Please”, to the jangly garage tunes “Molly Molly” and “Bring the Water”, to the darkly moody concluding track “Pretty Lady” but they all work well together. This is a vinyl reissue of their debut album released on CD in 2009. There is also a repressing of their double 7” EP on Dusty Medical in color vinyl edition of 125, which I really recommend you snatch up. You can check our website for Bob’s review of that original release at www.mongrelzine.ca. (Janelle Hollyrock)

THIS REVIEW ORIGINALLY RAN IN MONGREL ZINE #9. BUY IT HERE

THE MIDWEST BEAT s/t double 7″ EP

THE MIDWEST BEAT
s/t double 7″ EP
Dusty Medical Records DMR-012 2008
www.dustymedical.com
www.myspace.com/themidwestbeat

Six-song double 7″ EP on Milwaukee label Dusty Medical is a huge surprise! The easy going bass line on “J Man’s Blues’” drew me and captured my heart with its lush, heartfelt vocal harmonizing, also in “Girl Gone West”. Bitter garage numbers “My Love Has Gone”, “Wasted Time”, and the perfectly countrified garage number “Cryin Over You” are delivered with gospel fervor. When I put the needle to the last track on side D, “Our Lady”, I had to make a double take to make sure it wasn’t Daryl Hall crooning! There is a wholesome & honest accessible aspect to the music of The Midwest Beat that quickly grew on me until I was rapidly flipping sides, eager for more. The subtly menacing tone of The Midwest Beat is perfectly represented by the pretty cover painting by Leah Kavanaugh of a funnel cloud heading for crops. This is no doubt one of the more endearing bands I’ve come across since starting Mongrel Zine. (Bob Scott)

THIS REVIEW ORIGINALLY RAN IN MONGREL ZINE #6. BUY IT HERE

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